Creative AI Industries: Rethinking Creative Workflows in the Age of AISaturday 14 November 2026, 14:00 – 15:15

On Drawing Owls: Intent, Generative Agents and the Weirdening of Tools

There's always been a long gap between an idea and its realisation, between the sketch and the building, the script and the film, the design and the product. After drawing the first circles, the rest of the owl took years. Generative agents can now draw an owl almost instantly. But a generic owl with polish can easily be mistaken for the one you held in your head, so the circles you are drawing matter more than ever.I'll share working practices I've developed for keeping hold of intent, and an open question. As software starts shaping itself around whoever uses it, everyone becomes a circle drawer. Will that pull us all toward the same defaults, or open up a weirdening where tools carry people's intent?

Panel

Creative AI Industries: Rethinking Creative Workflows in the Age of AI

Saturday 14 November 2026, 14:00 – 15:15

Chairs: Thomas Parker — The Bartlett, UCL, Szilvia Ruszev — UCL Computational Media Research / UCL Network for Creative AI

This panel examines how generative AI is reshaping workflows across film, visual effects, design and contemporary art. It considers how practitioners negotiate automation, creative control and experimentation as AI becomes integrated into production. The discussion asks whether these systems are opening new creative possibilities or primarily optimising existing practices.

Other talks in this panel